Yellowstone Intimate Landscapes

Attending a workshop hosted by David Kingham and Jennifer Renwick is one of the best things an aspiring Photographer can do to raise their skills. The best part is, you come away with an increased passion and desire to spend more time with your camera. It's not learning how to expose properly or use the right focal length but the emotions they teach you, how to see the landscape or become intimate with a leaf. You can tell there is a burning desire that they both want you to succeed and even more, the sincerity that they want you to leave with a total outlook that photography is not just about pressing the shutter to capture a moment.
This is my third workshop with D and J, and I can tell you without a doubt it’s not my last. I have taken the time to observe them and listen to their mindset towards photography and each time I can see the difference in making a picture.
To that Photographer who is debating on attending a workshop with David and Jennifer, you will be rewarded with a renewed excitement to caress your camera, both emotionally and technically, creating priceless images.
Thank you, David and Jennifer, you have a passionate photographer who enjoys spending time with you.

Powerful and Profound. I feel like this workshop has opened up previously unseen doors for me and my photography, revealing so much room in which to explore my creativity and vision (and giving me lots more time to do it in, because shooting small scenes can happen anytime, all day long). David, Jennifer, and Sarah are fantastic workshop leaders. Their passion and enthusiasm for photography and especially small scene/intimate landscape photography inspired me to think differently about subjects and compositions, to have an open mind, to experiment, and to have fun. They put so much energy, care, and planning into all our sessions, both inside and outside. In the field, they brought to life the ideas and techniques discussed in the classroom. Sometimes their cameras were used to demonstrate techniques and ideas. Most times they'd walk and talk us through beautiful, breathtaking locations, helping us "see" differently, then cut us loose to capture our own unique visions. Many locations were overwhelming to me at first with their big-ness. Over time, however, I was able to better focus in and find smaller, abstract compositions. This is because David, Jennifer and Sarah made us their number one priority. They were always there for us, always available to answer our questions and give one-on-one assistance (if we wanted it, and I did) as we huddled over our cameras. The mix of classroom time to field work was just right. I enjoyed seeing other student's images each day, which helped me to rethink the scenes I had been at, and further train my "eye" for upcoming photo sessions. And of course, the new friendships formed. Thank you David, Jennifer, and Sarah for all the work and thought you put into creating this workshop, for your caring dedication and commitment to us, and for sharing your enthusiasm and passion as you did.

Delightful! This was my fifth photography workshop, but my first with Exploring Exposure. There was a good balance between fieldwork and didactic conference room instruction, meaning a couple of hours of conference daily. All participants were skilled with their equipment, experienced with composition. But there was a wider range of skills with processing in software. This is where the instruction was important. In our conferences, we saw fine details of composition which otherwise we might miss. We learned processing methods from dedicated professionals, and the methods undoubtedly new to most of all of us. Critiquing our photos was valuable. Having three instructors for a group of ten registrants is the highest ratio of any workshop I've attended. Each presented complementary interests. David is a master of processing and a patient thorough teacher. Jennifer shared her wisdom on goals and philosophy. Sarah's meticulous detail work in creating and processing closeups was breathtaking. I've been interested in closeup and macro nature photography since the era of 35mm rangefinders and I learned a lot from her in just a few days. Our schedule was not overbearing. Days started before dawn and finished with a late dinner. By deferring most processing until home, I had enough time for sleep. There was adequate time for lunch and a good schedule of conference room instruction alternating with field trips. I've come away with increased abilities, a finer eye for composition, and better use of software in post. And it was a pleasure to be with a nice group!

The workshop with David, Jennifer and Sarah was wonderful. Because of the small group size, it was possible to obtain individualized help in the field and it was easy to ask questions. There was a genuine desire by all of the instructors to make sure that the participants got the attention and help that they needed. Although there was a wide range of experience within the group ("newish" users to accomplished shooters), it seemed as though all levels could get what they needed from the workshop. I really liked the locations that were chosen for the shoots and the fact that we avoided the more typical tourist spots. Overall, a great experience!

The "Death Valley Small Scenes with Sarah Marino" workshop was my first photography workshop, and the bar has been set unbelievably high. Jennifer, David, and Sarah are among the best photography instructors (and photographers) in the business. They struck the perfect balance between classroom discussions about technique and creativity, and fieldwork that allowed participants to put theory and ideas into practice. In both the classroom and the field, we were pushed to find and hone our creative voices, and the small group size allowed for instruction that was tailored to our individual levels of experience. This enabled me to make a real breakthrough with my work and vision. I can't praise Jennifer, David, and Sarah enough, and I would book another workshop with Exploring Exposure without hesitation.

What set this experience apart from the other workshops I've taken was the very perceptive and individual attention the instructors gave to each of us. Whenever I needed advice or assistance or a word of support, someone appeared to offer just what the moment required. The Death Valley Small Scenes workshop delivered beyond what it promised. Jennifer, David, and Sarah made sure we had varied challenges and opportunities to grow in our vision and technique for creating intimate responses to a location that can be overwhelming. They missed no chance to help us achieve, uniquely, what we were trying to do. No doubt we all returned with some of our most meaningful images ever. We also returned with something inside that will lead us to create many, many more.