Wildfires are once again blazing across the Western United States and Canada, regions many consider the Mecca of nature photography. Climate change is the primary driving force behind these devastating fires, creating a new reality we must unfortunately learn to navigate. In this comprehensive guide, we'll explore how to predict wildfire smoke, use it to your advantage in photography, and recognize when it might ruin your outdoor shooting plans.
When Smoke Ruins Your Plans
Before delving into photography techniques, we must acknowledge the tragedy affecting those who have lost homes or face threats from wildfires. This article focuses on how smoke impacts our photography - a less critical but still relevant concern for many nature enthusiasts.
Night Photography
For astrophotographers planning to capture the Milky Way or Aurora Borealis, smoke can be particularly problematic. Dense smoke can obscure the night sky, creating a brown haze that renders images nearly unusable. Always check smoke forecasts before embarking on a night photography expedition.
Wildfire smoke covering up the milky way at Corona Arch in Moab, Utah
Landscape Photography
While smoke can occasionally create compelling images, it typically mars beautiful landscapes with an apocalyptic brown haze. The red sun glowing through smoke might be visually striking, but for many, it now carries negative connotations due to the harsh realities of wildfires.
Air Quality Concerns
When wildfire smoke is present, air quality can rapidly deteriorate to unhealthy levels. This is especially important for individuals with respiratory conditions like asthma. To monitor air quality:
Use AirNow for real-time air quality data across the US.
If the Air Quality Index (AQI) is in the red zone (unhealthy), consider wearing an N95 mask for extended outdoor activities like hiking and photography.
AirNow Screenshot with Smoke and Air Quality Layers
Predicting and Avoiding Smoke
Utilizing Smoke Maps
AirNow also offers a smoke layer map, which is easier to interpret when you disable the air quality monitor layer. This map helps visualize smoke density:
Light grey areas: Slight haze, generally not a major concern.
Dark grey areas: Dense smoke, consider rescheduling your trip.
AirNow Screenshot with Smoke and Active Fire Layers
Predicting Smoke
A valuable tool for smoke prediction is the NOAA Smoke Forecast. This tool provides a model prediction of smoke conditions for the next 12-18 hours. While this doesn't allow for long-term planning, it's a useful short-term forecasting tool. However, keep in mind that even within 12 hours, actual conditions can vary significantly from the forecast due to the many variables involved.
NOAA Smoke Forecast
How to Use the NOAA Smoke Forecast
When you first open the site, you'll see a blank map. Start by turning on the "Surface Smoke" layer. This will populate the map with smoke forecast data. There are two different Surface Smoke layers available:
One under "RAP" (Rapid Refresh)
Another under "HRRR" (High-Resolution Rapid Refresh) The HRRR model is generally more accurate but only covers the continental US, while the RAP covers all of North America. The HRRR allows you to see the forecast out to 12 hours, whereas the RAP extends to 18 hours. Both models are updated hourly.
At the bottom of the page, you'll find a time scale with controls to view different times. By default, this is displayed in Zulu time. To change this to your local time, simply click the area where the time is displayed.
It's important to note that when the site loads, it defaults to the latest predicted model time, not the current time. What you're seeing is the prediction for later in the day or tomorrow. To see the current time, you must drag the slider back to the beginning.
Embracing Smoke in Your Photography
While smoke presents challenges, it also offers unique photographic opportunities:
Intimate Landscapes
Focus on smaller scenes where the warm glow of filtered light can enhance your composition. Experiment with excluding the sky to avoid evoking negative emotions associated with visibly smoky conditions, although including the sky can work at times.
Steam colored by warm wildfire smoke by David Kingham
Fog colored by warm wildfire smoke by David Kingham
Wildfire smoke gives color to the mist at Brink of the Upper Falls in Yellowstone National Park
Creating Fine Art Projects
Consider developing a photo series that showcases beauty amid adversity. Such projects can tell compelling stories when presented thoughtfully. For inspiration, check out Matt Lancaster's project "End of Days" in the Project Critique section of Nature Photographers Network.
It's critical to remember that flying drones near active wildfires is strictly prohibited. Firefighting aircraft operate at very low altitudes, and the presence of drones in the area can force these vital operations to be grounded. This not only hampers firefighting efforts but can also put lives at risk. Always check local regulations and fire status before flying your drone, and never fly near active fire zones.
Conclusion
As nature photographers, we must adapt to changing environmental conditions, including the increasing prevalence of wildfire smoke. By understanding how to predict, avoid, and sometimes utilize smoke in our images, we can continue to create meaningful work while prioritizing our health and safety.
Remember, always stay informed about local fire conditions and follow evacuation orders when issued. Your safety should always be the top priority.
The 2025 Central Utah workshop is just the latest in many workshops I have taken with David and Jennifer. I consider each one as a step forward in my journey to become a better landscape photographer. Although the locations may be different from one workshop to the other, David and Jennifer are consistent in their teaching philosophy and guidance toward your own personal growth. The Central Utah workshop presented us with many different opportunities and subject matter to challenge our photographic vision. There was more variation in the Utah landscape than I had expected, and I came away with some shots that I am very happy with.
If you participate in photography workshops with the goals of learning new skills and wanting to get guidance on how you can realize your own self expression but have been told that there's only one "correct" way to photograph a scene, you will be delighted to find that David and Jennifer can help you find how to "do you". Your images can be your own and not necessarily look like everyone else's who came to the same scene. There are ample opportunities to learn ICM, finding abstracts and small scenes and experimenting with wide angle perspectives, but you can also approach things in your own way if you want; this is encouraged. I have found that this is the best way for me to personally grow as a photographer. Learn as much as you can about many techniques and then utilize that knowledge to advance your own style.
We were so fortunate on this workshop to have all kinds of dramatic weather (stormy clouds, a little snow) and we went to locations that took the best advantage of these changing conditions. Honestly, it was just fun!
Looking forward to more adventures and opportunities to learn and grow.
Wonderful experience - fun, personal attention and great learning
I just finished a second workshop with david and jennifer in central utah. I truly appreciate the hardwork and extensive preparation they do beforehand. You get all the information you could possibly need beforehand and during, such that you don't need to worry about anything. The whole workshop is designed to promote each participant's vision, learning and goals. From the first session to the last, the only focus was on giving us the tools to achieve what we want in our photography. They were there to give us personal guidance on how to accomplish what we wanted to do and helped us follow what we wished to shoot. In this setting I allowed myself to experiment and try out new things with my photography. I also feel my post processing has advance significantly as I understand now the logic of what I can do in lightroom. I highly recommend joining them as this is the best investment in your photography.
I just returned home from the Central Utah workshop. Despite the windy conditions I came home with a huge pile of photos to work through. David and Jennifer prepared us well for the conditions and provided excellent support while in the field. I can't say enough about their approach to teaching. They make themselves available for on the spot coaching and direction without making me feel silly for having asked the question. They have the ability to work with a wide range of photography skill levels across various formats (camera brand). I will be a repeat customer again as soon as I can afford to do so.
I am looking forward to playing with David's presets. I think that will help my processing skills greatly. I look forward to the release of this product as I am sure it will revolutionize my productivity.